Looking Below the Surface of Hamlet Essay -- GCSE Coursework Shakespea

     Ã‚   The mystery of Shakespeare’s Hamlet is a phantom that has haunted students throughout the centuries. Hamlet is a complete enigma; a puzzle students have tried to piece together since his introduction into the school curriculum. Throughout the course of Hamlet, the student is constantly striving to rationalize Hamlet’s odd behavior, through the play’s written text. In doing so, many students mistakenly draw their conclusions based on the surface content of Hamlet’s statements and actions. When drawing into question Hamlet’s actions as well as his reasons for acting, many assume that Hamlet himself is fully aware of his own motives. This assumption in itself produces the very matter in question. Take for example Hamlet’s hesitation to kill the king. Hamlet believes that his desire to kill King Claudius is driven by his fathers’ demand for revenge. If this were true, Hamlet would kill Claudius the moment he has the chance, if not the moment he knows for sure that Claudius is guilty of murdering his father. Why does Hamlet hesitate? One must call into question what Hamlet holds to be true. If Hamlet’s given motivation for killing the king is legitimate, then Claudius should die at about Act 3. Because Hamlet’s actions do not correspond with his given reasoning, one is forced to look for an alternate explanation for Hamlet’s behavior. In doing so, one will come to the conclusion that Hamlet is driven by forces other than what is o bvious to the reader, as well as Hamlet himself. Given this example, one must denounce the assumption that Hamlet is aware of the forces that motivate him, and understand that Hamlet’s true motivation is unconscious This unconscious force is the true reason behind Hamlet’s mysterious behavior. In n... ...hree characters, his step-father being one. Thus, by digging into Hamlet’s unconscious, his true unconscious motives have been unveiled. In overlooking the obvious, the true force behind Hamlet’s actions and inaction has been revealed, resulting in a final product that is an extensive comprehension of Hamlet’s character, and is, as Gertrude would say "more matter than art".      Works cited:   Shakespeare, William. The Tradegy of Hamlet Prince of Denmark.   New York: Washington Square Press, 1992   Hall, Calvin s. A Primer of Freudian Psychology   New York: Harper and Row, 1954   Jones, Ernest. Hamlet and Oedipus. Newyork: W W Norton and company, 1976   Platania, John. Jung for Beginners. New York: Writers and Readers Publishing inc., 1997   Weiten, Wayne. Psychology: Themes and Variations, Fourth Editon. Boston: Brooks/Cole Publishing Co., 1998